Bending the Wire hanger to fit my desired wings

Last year, I showed up at Burning Man with no cool outfits, just some funky clothes I got at a thrift store in San Fran a few days before.

This year, with the help of Tabatha’s immense enthusiasm, the outfits have been in progress for weeks now.  Some time later I will add photos of her button outfits and pirate skirt.

What has been especially fun is finding things around my house to build my projects.  Wherever I could, I tried to reuse materials.  I found some great uses for things I would have been happy to give away.  For example, I used a few wire hangers I twisted apart, the cardboard rolls that used to be their base, some canvas scraps, an old pillow case, and some paint to make a pair of wings.

Here is a photographic journey through a few of them, and some shots of the packing process as well.
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photo by masepack

From hundreds of meters away you can see it. The temple that glows orange from its center. Its spires twisting and spiking into the night sky, against the brown and red mountains made dark with the loss of sun. The outline made possible by the fires that shoot up from the center of a giant plastic tubing, expertly installed. It spans several feet, and every few minutes flames will burst up and through.  You shiver and pull your coat tighter over you. You touch the inner plastic tubing, hoping to steal some warmth from the Fire of Fires.

The temple is packed at 3am. It pulls people in with a magnetism of quiet and solemnity, so different from the rest of the festival. The winds whip, the dust gets in your eyes.  People mill about, run in circles, go in and out, sit in meditation, rock back and forth with their hands in prayer, in mudras. A man dressed in a black top hat, mascara that extends from the corner of his eyes in branches, sits with his false-lash-draped eyes closed, his hands together in prayer, motionless. A woman with red hair and green eyes bows back and forth before a picture of a young woman.

The columns of the temple are made of flat panels of wood carved in latticed patterns, intricate as a church’s confession screen, decorated as stained glass windows, but instead of color, there is only light, negative space, and the pale yellow of the wood. Layers and layers of lattices, some carved out with open triangles, diamonds, stars. There are certain sections with open squares large enough to crawl through. In one, a young woman looks around through the carvings, fingering the patterns in the wood.

The whole structure vibrates with the passing winds that kick dust through the many openings in the wood. We travel up and down ladders, over stairs, across slanted ramps. A temporary shrine that will burn in silence on the final night. Sharpie markers are the main instruments of prayer here. Writing and drawings blanket the temple walls.
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